![ghost cartoon ghost cartoon](https://i.pinimg.com/originals/c0/c9/f3/c0c9f3437bae781c0ad61a5350bdb371.jpg)
The series also uses animated wood blocks to tell the ghosts’ stories of their days growing up in old L.A. Each tree, pedestrian, and car like a snowflake - none created or painted the same. The City of Ghosts world, as a whole, is incredibly colorful, with the aesthetic of a pop-up book. While most of the show’s main characters - the members of the Ghost Club and their clients - are created with a soft, cylindrical 3D animation style, many of the show’s background characters and scenery are 2D formatted in sharper, geometric shapes.
![ghost cartoon ghost cartoon](https://st4.depositphotos.com/8775328/29763/v/950/depositphotos_297630430-stock-illustration-illustration-cartoon-scary-ghost-cute.jpg)
“We wanted to capture visually the kind of variety of people and places that you would have in a place like L.A., with differently styled background crowds and settings.” “We basically did paintings on top of pictures,” Ito notes. That history and diversity are not only narrated through the ghosts of L.A.’s past, but also illustrated through the show’s mix of 2D and 3D animation layered on top of real photos of the city. It's a shame if people don't know about that history before this happens to their neighborhood.” “That sometimes erases the history and legacy that used to be there. “Like everywhere else, a lot of our older neighborhoods are going through these shifts where property values are going up and new businesses are moving in,” says Ito. her whole life, Ito says her inspiration for the show also came from an eagerness to spotlight the city’s diverse communities - from Oaxacan people in Koreatown to the poets and musicians of Leimert Park - as well as the city’s rich history “before it started to be gentrified.” So, we took a similar approach with City of Ghosts.”īut being Asian American, and having lived in L.A. It was also a show I felt like I could watch with them and be interested in.
![ghost cartoon ghost cartoon](https://thumbs.dreamstime.com/z/ghost-cartoon-character-ghost-cartoon-character-156398264.jpg)
#GHOST CARTOON HOW TO#
Rogers videos with really smooth jazz music where they go to factories and learn how to make crayons. I don't know whether it was just that my kids were extra sensitive, but we would try to find shows that were more soothing, like watching older Mr. “When my son was really little, it was hard to find shows and programming for him where he wouldn't end up scared. “We came at this show from the point of view that, ‘If you were a kid trying to figure this thing out, what things would you focus on?’” Ito explains. That is, until lead Ghost Club detective Zelda breaks down the owner’s stereotypes and introduces her to the shy, gyoza-loving ghost. The first episode begins with a skeptical new Japanese restaurant owner who doesn’t believe in ghosts and, on the off chance she’d entertain the thought, wants nothing to do with the hauntingly suspicious and slightly humorous activities going on in her kitchen, from missing hot sauce to a busted fryer. “Similar to how pets can react before an earthquake, I think kids have this sense for certain things too.”īut despite the Ghostbusters-like plot, the six-episode series employs a calm, clever, and quietly comical tone where the Ghost Club members not only befriend the ghosts, but also interview them and listen to their life stories, learning more about the history of Los Angeles neighborhoods in the process. “It's really interesting how kids do tend to see ghosts, and they tell their parents about it in some weird way, and it’s usually the parents who gets creeped out,” Ito shares. It had a positive impression on me as a kid.”ĭebuting on the streamer this past Friday, March 5, Ito’s City of Ghosts is a documentary-style animated series that follows the adventures of a group of young kids, known as the “Ghost Club,” as they investigate various ghost sightings and encounters throughout the city of Los Angeles. She adds, “It was a funny story, and I was thinking recently about how nice it was that my dad believed me and didn't tell me ghosts don't exist. “When I thought I saw this ghost, I yelled out to my dad, and he was like, ‘Go back to bed.’ The next morning, he said he thought he had seen a ghost too, earlier in the night, and just didn't want to come out of his bedroom.” “When I was six, I saw the ghost of what we think was my great grandmother in the hallway of our home,” says Ito, a long-time Los Angeles local best known for directing the Primetime Emmy award-winning animated sci-fi series Adventure Time. Luckily, Elizabeth Ito, creator and showrunner on Netflix’s new documentary-style animated children’s show, City of Ghosts, had personal experience to draw from. Creating a kid’s animated series centered around ghost encounters - inspired by real superstitions and stories - that are serene rather than scary, could prove tricky.